Thứ Năm, 15 tháng 3, 2018

Why are you big Marvel and Netflix still struggling to find a place for his super heroes?

Why are you big Marvel and Netflix still struggling to find a place for his super heroes?


Although they have worked together for eight series, Marvel and Netflix have not solved the problems associated with rhythm.

The partnership with Marvel has helped Netflix get the most popular TV shows. While Daredevil is the explosive name, Season 1 of Jessica Jones is one of the most prominent superhero dramas in 2015. But no matter how impressive these films can not be regarded. is perfectly okay and one of the most prominent issues of Netflix in superhero movies is pacing.
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Pacing can be understood as the speed at which movies are used to tell their story. The good show rhythm show is the show how to use the speed of storytelling in a variety of ways and effects, shown through the action scenes interwoven with the details of building, shaping character. Described in a slower and more permeable way. Each series must know the most balanced state of its story, understand what it is about, the character of the genre and the interaction between the characters.

Lắm tiền nhiều của, vì sao ông lớn Marvel và Netflix vẫn loay hoay tìm chỗ đứng cho siêu anh hùng nhà mình? - Ảnh 1.

Once all this is put in the place where it should be, the movie will be like a series of slow-moving episodes that take viewers inside the story they are telling, leaving them with no mind. Positions to think of other than enter the mind into the circumstances are happening. Netflix's Marvel superhero shows have always been criticized for being too slow and incoherent. This made the fans believe that the series would be better if they cut the number of episodes. But is that the core of the problem?

Broadcast policy

One of the problems of Netflix is ​​that their series out of a whole set of episodes at the same time. This makes it impossible for them to determine the viewer's approach to the series. Someone see seamlessly restless. Some people choose to watch each episode from time to time in separate shows like TV shows.

So instead of just defining how to tell a story like a movie on cable, Netflix has to do two things at the same time. On the one hand, they have to ensure that each episode has a certain appeal. On the one hand, they have to make all assemblies stick together into a seamless chain.
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Netflix's filmmaking policy has also made the situation worse because they usually only offer the first 5 or 6 episodes of the series before posting the entire series on the air with the aim of creating expectations and waiting for the commentary debuted. Unfortunately, the first episodes in the series are usually the ones with the most rhythm problems. Here there are many sudden flashbacks, curious traces and old-fashioned heroic stories.

One example is the Luke Cage Season 1. It was not until the first four episodes ended that the new series pushed the beat up faster. Meanwhile, the series is thought to be a counterweight to CW's Luke Cage as Black Lightning produced a similar amount of content in just one episode. This issue is present in both Daredevil, Jessica Jones, Luke Cage and Iron Fist.

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